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Tom Cruise Has Been Training For A Mission Impossible 6 Stunt For A Year

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Collider’s Steve Weintraub recently spoke with Skydance Media CEO David Ellison at SXSW for the premiere of the upcoming sci-fi thriller Life, and during their interview Ellison also offered an update on Mission: Impossible 6, which he’s producing. He revealed that filming on the sequel begins on April 10th and will be shooting in Paris, London, and New Zealand, and when asked what kind of stunt they have planned as the centerpiece this time around, Ellison said Cruise has already been training since Rogue Nation came out:

“We’re thrilled. Chris is back, obviously, writing and directing after Rogue Nation. We could not be more excited about the character Henry Cavill’s going to play. And I will say after the Burj [Khalifa] we thought it was going to be impossible to top that stunt, and then Tom did the A380 for the plane. What Tom is doing in this movie I believe will top anything that’s come before. It is absolutely unbelievable—he’s been training for a year. It is going to be, I believe, the most impressive and unbelievable thing that Tom Cruise has done in a movie, and he has been working on it since right after Rogue Nation came out. It’s gonna be mind-blowing.”

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Image via Paramount Pictures

Cavill’s casting was already exciting given the spy/comedic chops he showed in The Man from U.N.C.L.E. but Ellison’s comments here are even more encouraging. And as for that new sequence, the fact that Cruise has already been training for a year is ridiculous. Ellison went on to explain Cruise’s philosophy behind doing so many practical stunts himself:

“It all comes from the best place. It is all about entertaining an audience. Tom’s entire mantra for hanging on the side of the Burj Khalifa or the A380 or literally holding your breath for six minutes underwater to do the Taurus sequence is, in a world of massive [visual] effects, he said the audience can tell when it’s you on a green screen or when you’re actually doing it live. And the tension, because the stunt is real, actually puts the audience where Ethan Hunt is where they are in the movie. He said that’s why he does it; it’s all about entertaining an audience and it makes the movie better.”

mission-impossible-5-image

Image via Paramount Pictures

Rogue Nation shook up the franchise formula by putting the film’s biggest set piece at the beginning of the movie, and while Ellison couldn’t say where this Mission: Impossible 6 sequence would come into play, he did says there was debate over where to put the Burj Khalifa sequence in Ghost Protocol:

“I cannot say for M:I 6, but on Rogue Nation it was a conversation that was ongoing about whether or not it was in the opening or the middle of the movie. Obviously in Ghost Protocol there was a lot of conversation about should the Burj be at the end of the movie? Because it was obviously the biggest stunt in the film, and it really was just story drives everything. That’s the amazing thing about working with somebody who’s talented as Chris McQuarrie, who is a brilliant, brilliant screenwriter as well as a director, is story drives every single decision.”

Ellison said the production schedule for Mission: Impossible 6 will be similar to the other movies—90-100 days, filming in three countries—so it’ll be interesting to see if news breaks of this sequence during filming or if they’re able to keep it under wraps. Either way, it sounds like we’re in for a treat when the sequel hits theaters on July 27, 2018.

Editor-in-Chief of Movie Marker. Likes: Scorsese, Spielberg and Tarantino Dislikes: The film 'Open Water' I mean, what was that all about?

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Guillermo del Toro to Direct Stop Motion Pinocchio for Netflix

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Pinocchio Movie Marker

Fresh off his Oscar win for “The Shape of Water,” Guillermo del Toro is set to make his animated feature film directing debut. Del Toro has received the green light from Netflix to film “Pinocchio,” a stop motion musical version of the classic children’s tale about a puppet who wants to be a real live boy. He will write and produce the film in addition to directing it.

According to Variety, The film will be set in Italy during the 1930’s, a particularly fraught historical moment and a time when fascism was on the rise and Benito Mussolini was consolidating control of the country. Production on “Pinocchio” will begin this fall. Del Toro previously set “The Devil’s Backbone” and “Pan’s Labyrinth” against a totalitarian backdrop, although he placed those stories in Franco’s Spain.

“No art form has influenced my life and my work more than animation and no single character in history has had as deep of a personal connection to me as Pinocchio,” said del Toro in a statement. “In our story, Pinocchio is an innocent soul with an uncaring father who gets lost in a world he cannot comprehend. He embarks on an extraordinary journey that leaves him with a deep understanding of his father and the real world. I’ve wanted to make this movie for as long as I can remember.”

Del Toro previously collaborated with Netflix on its Emmy award-winning television series “Trollhunters,” the first installment of the DreamWorks’ Tales of Arcadia trilogy. The next chapter, “3Below,” is set to debut on in December and it will be followed by “Wizards” in 2019. He created the upcoming Netflix horror anthology series, “Guillermo del Toro Presents 10 After Midnight.” Del Toro’s other credits include “Crimson Peak” and “Pan’s Labyrinth.”

The project comes as Netflix is investing heavily in children’s entertainment — a move that will be increasingly important as Disney prepares to launch its own streaming service. To that end, the company has backed the likes of “Lemony Snicket’s A Series of Unfortunate Events,” along with upcoming series such as “She-Ra and the Princesses of Power” and “Gabby’s Dollhouse.”

Del Toro will collaborate on “Pinocchio” with the Jim Henson Company, the company behind “The Dark Crystal” and ShadowMachine, the creator of “Bojack Horseman.” Lisa Henson, ShadowMachine’s Alex Bulkley, Corey Campodonico, and Gary Ungar of Exile Entertainment will produce the film. Blanca Lista will co-produce it.

Patrick McHale (“Over The Garden Wall”) will co-write the script, and Mark Gustafson (“Fantastic Mr. Fox”) will co-direct the movie. Guy Davis will serve as co-production designer and the film’s puppets will be built by Mackinnon and Saunders, the team behind “Corpse Bride.”

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Aquaman Director Teases Two Of The Film’s Creatures, And Gosh They Look Silly

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So, Aquaman is a film that’s coming out. It feels like, as a culture, the general cinema-going public still hasn’t quite acclimated to the idea that an Aquaman film is just two months away. Like, y’know, a film about Aquaman. Aquaman.

One person looking to change that general perception is director James Wan, who shared new glimpses at some of the film’s mounted ocean creatures and… oh good lord, just look at them.


Click through to get an even-higher resolution look at what’s to come, but as you can see there’s a saddle-mounted hammerhead shark, and a tylosaurus (a sort-of prehistoric crocodile). Yeah.

Aquaman is due out on the 14th of December, rated 12A, and stars Jason Momoa as the titular rightful ruler of Atlantis. As the film’s PR campaign ramps up, WB released a five-minute extended trailer just a few weeks ago, which you can check out here.

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Halloween Scores Series-Best Opening, As Venom Crosses $450m Worldwide

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Jamie Lee Curtis’ rebootquel Halloween scored a domestic opening of $77.5 million this weekend, after an impressive $27.2M Saturday. Not only does that easily make it the best US opening for John Carpenter’s four-decade old franchise, but it also solidifies it as the second-best opening ever for the month of October behind Sony’s Venom, which netted $80.2M just a few weeks ago.

Speaking of Venom, the critically-derided, audience-adored antihero flick starring Tom Hardy took another $18 million in the US this week, and a further $32 million internationally, taking the film’s global total to a staggering $460.2 million – for perspective, that’s bottom-end MCU money, beating out titles like Thor ($449.3m), Captain America: The First Avenger ($370.6m) and The Incredible Hulk ($263.4m), and gaining on films like Ant-Man ($519.3m) and the original Iron Man ($585.2m). Venom is still yet to open in China and Japan.

Meanwhile, Warner Bros.’ smash-hit musical drama A Star Is Born is still raking in the dough. Star/director Bradley Cooper’s feature, which has garnered a big push in ticket sales from the successful stunt-casting of Lady Gaga as the secondary lead, brought its tally up to $201 million internationally this week, and looks set to continue hanging on at the box office despite fierce October competition.

All three films are in UK cinemas now, with Venom and A Star Is Born both rated 15, and Halloween rather expectedly rated 18.

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