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Shortlist Revealed For U.K. Film’s Biggest Bursary

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The BFI and IWC Schaffhausen today revealed the three filmmakers shortlisted for the IWC Schaffhausen Filmmaker Bursary Award in association with the BFI. At £50,000, it is the most significant bursary of its kind in the UK film industry, expressly designed to support the future careers of exceptional new British film talent.

Acclaimed directors, Paul Greengrass (Bourne, United 93, Captain Phillips) and Edgar Wright (Shaun of the Dead, Scott Pilgrim vs. The World, Baby Driver) will join Amanda Nevill, CEO of the BFI and Christoph Grainger-Herr, CEO of IWC Schaffhausen, to select the winner, which will be announced at The IWC Gala Dinner in honour of the BFI, on Tuesday 9 October – the eve of the BFI London Film Festival’s Opening Night.

The shortlisted films include:

RICHARD BILLINGHAM – WRITER/Director, RAY & LIZ  

NICOLE TAYLOR – WRITER, WILD ROSE

HARRY WOOTLIFF – WRITER/DIRECTOR, ONLY YOU

Now in its third year, the Bursary is presented in recognition of outstanding British talent at the beginning of their careers and is designed to support a writer and/or director by providing them with the financial stability and time needed to develop their creativity. The Bursary affords them the freedom to focus on future projects without the pressure of deadlines or the distraction of taking paid work – a precious and extremely rare opportunity for a filmmaker. Previous recipient include writer/directors, Hope Dickson Leach (The Levelling) and Daniel Kokotajlo (Apostasy).

Amanda Nevill, CEO of the BFI comments: This Bursary award does so much to support some of our brightest and best new filmmakers and it’s not just about winning – as we’ve seen in the last two years, being shortlisted can prove hugely valuable in boosting a filmmaker’s profile within the industry and beyond. I want to thank IWC for their continued commitment to helping us support British filmmaking in this dynamic way. Our three filmmakers offer a rich variety of voices formed through a really exciting range of experiences and disciplines, and once again the judging panel faces a very difficult decision.

A panel of senior industry figures – Rose Garnett, Director of BBC Films, Ollie Madden, Head of Creative at Film4, Ben Roberts, Director of the BFI Film Fund, Tricia Tuttle, Acting Artistic Director of the BFI London Film Festival, and Kaleem Aftab, film critic and journalist – selected the shortlist of filmmakers. To be eligible for the Bursary Award a writer, director or writer/director must be UK-based and have their first or second film in Official Selection at the BFI London Film Festival in Partnership with American Express®. Once again, the high calibre of shortlisted applicants is testament to the strength of British independent filmmaking and this year also highlights the intersection of film with other creative disciplines, with the three finalists each demonstrating a unique range of experience and presenting original work with a distinctive tone.

Ben Roberts, Director of the BFI Film Fund said: “The three shortlisted filmmakers are each poised to catch the wave of their current success – but feature development needs time and encouragement. We are so grateful to IWC for highlighting and supporting the work of emerging UK filmmakers – and also to the producers of our three candidates for getting them here”

Tricia Tuttle, Artistic Director of the BFI London Film Festival said: “In the last few years we’ve seen an impressive new generation of film talent emerging from the UK. We’re really proud of the role the Festival plays in championing this talent globally, and this Bursary is a key part of how we do that.“

The final three in contention for the IWC Schaffhausen Filmmaker Bursary Award in Association with the BFI are:

In 2017 the IWC Bursary Award in Association with the BFI was won by writer/director, Daniel Kokotajlo whose debut feature Apostasy premiered at the LFF that year. The film was released in the UK in July 2018 to widespread critical acclaim.

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Guillermo del Toro to Direct Stop Motion Pinocchio for Netflix

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Fresh off his Oscar win for “The Shape of Water,” Guillermo del Toro is set to make his animated feature film directing debut. Del Toro has received the green light from Netflix to film “Pinocchio,” a stop motion musical version of the classic children’s tale about a puppet who wants to be a real live boy. He will write and produce the film in addition to directing it.

According to Variety, The film will be set in Italy during the 1930’s, a particularly fraught historical moment and a time when fascism was on the rise and Benito Mussolini was consolidating control of the country. Production on “Pinocchio” will begin this fall. Del Toro previously set “The Devil’s Backbone” and “Pan’s Labyrinth” against a totalitarian backdrop, although he placed those stories in Franco’s Spain.

“No art form has influenced my life and my work more than animation and no single character in history has had as deep of a personal connection to me as Pinocchio,” said del Toro in a statement. “In our story, Pinocchio is an innocent soul with an uncaring father who gets lost in a world he cannot comprehend. He embarks on an extraordinary journey that leaves him with a deep understanding of his father and the real world. I’ve wanted to make this movie for as long as I can remember.”

Del Toro previously collaborated with Netflix on its Emmy award-winning television series “Trollhunters,” the first installment of the DreamWorks’ Tales of Arcadia trilogy. The next chapter, “3Below,” is set to debut on in December and it will be followed by “Wizards” in 2019. He created the upcoming Netflix horror anthology series, “Guillermo del Toro Presents 10 After Midnight.” Del Toro’s other credits include “Crimson Peak” and “Pan’s Labyrinth.”

The project comes as Netflix is investing heavily in children’s entertainment — a move that will be increasingly important as Disney prepares to launch its own streaming service. To that end, the company has backed the likes of “Lemony Snicket’s A Series of Unfortunate Events,” along with upcoming series such as “She-Ra and the Princesses of Power” and “Gabby’s Dollhouse.”

Del Toro will collaborate on “Pinocchio” with the Jim Henson Company, the company behind “The Dark Crystal” and ShadowMachine, the creator of “Bojack Horseman.” Lisa Henson, ShadowMachine’s Alex Bulkley, Corey Campodonico, and Gary Ungar of Exile Entertainment will produce the film. Blanca Lista will co-produce it.

Patrick McHale (“Over The Garden Wall”) will co-write the script, and Mark Gustafson (“Fantastic Mr. Fox”) will co-direct the movie. Guy Davis will serve as co-production designer and the film’s puppets will be built by Mackinnon and Saunders, the team behind “Corpse Bride.”

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Aquaman Director Teases Two Of The Film’s Creatures, And Gosh They Look Silly

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So, Aquaman is a film that’s coming out. It feels like, as a culture, the general cinema-going public still hasn’t quite acclimated to the idea that an Aquaman film is just two months away. Like, y’know, a film about Aquaman. Aquaman.

One person looking to change that general perception is director James Wan, who shared new glimpses at some of the film’s mounted ocean creatures and… oh good lord, just look at them.


Click through to get an even-higher resolution look at what’s to come, but as you can see there’s a saddle-mounted hammerhead shark, and a tylosaurus (a sort-of prehistoric crocodile). Yeah.

Aquaman is due out on the 14th of December, rated 12A, and stars Jason Momoa as the titular rightful ruler of Atlantis. As the film’s PR campaign ramps up, WB released a five-minute extended trailer just a few weeks ago, which you can check out here.

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Halloween Scores Series-Best Opening, As Venom Crosses $450m Worldwide

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Jamie Lee Curtis’ rebootquel Halloween scored a domestic opening of $77.5 million this weekend, after an impressive $27.2M Saturday. Not only does that easily make it the best US opening for John Carpenter’s four-decade old franchise, but it also solidifies it as the second-best opening ever for the month of October behind Sony’s Venom, which netted $80.2M just a few weeks ago.

Speaking of Venom, the critically-derided, audience-adored antihero flick starring Tom Hardy took another $18 million in the US this week, and a further $32 million internationally, taking the film’s global total to a staggering $460.2 million – for perspective, that’s bottom-end MCU money, beating out titles like Thor ($449.3m), Captain America: The First Avenger ($370.6m) and The Incredible Hulk ($263.4m), and gaining on films like Ant-Man ($519.3m) and the original Iron Man ($585.2m). Venom is still yet to open in China and Japan.

Meanwhile, Warner Bros.’ smash-hit musical drama A Star Is Born is still raking in the dough. Star/director Bradley Cooper’s feature, which has garnered a big push in ticket sales from the successful stunt-casting of Lady Gaga as the secondary lead, brought its tally up to $201 million internationally this week, and looks set to continue hanging on at the box office despite fierce October competition.

All three films are in UK cinemas now, with Venom and A Star Is Born both rated 15, and Halloween rather expectedly rated 18.

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