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Night School Is Top Of The Class With $28 Million Opening

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Kevin Hart and Tiffany Haddish’s latest comedy, Night School, has opened to the top of the domestic box office, with a respectable $28 million opening weekend.

The feature, which Hart also produced, beat out animated family comedy Smallfoot, which opened close behind with $23 million. Together, the two features pushed the month to become the second-highest September box office of all time, beaten only by last year’s record-smashing showing (largely bolstered to the top thanks to Warner Bros.’ It).

On the former film’s success, Universal’s head of domestic distribution, Jim Orr, said “We’re in business with the right people. I couldn’t begin to give enough love to Kevin Hart, Tiffany Haddish, (director) Malcolm Lee, and (producer) Will Packer.”

Night School also features Keith David, Taram Killam, Romany Malco, Ben Schwartz, Mary Lynn Rajskub, Megalyn Echikunwoke, Rob Riggle, and Fat Joe. Smallfoot stars the vocal talents of Channing Tatum, James Corden, Common, LeBron James, and Zendaya.

Smallfoot is pencilled for a 12th of October release over here. Meanwhile, Night School is in UK cinemas now, rated 12A, and you can read Movie Marker’s review here.

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The Grinch Eyeing $50m+ Opening Weekend

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Illumination Animation’s forthcoming The Grinch, with Benedict Cumberbatch voicing the green grouch, has landed on early tracking – and Universal could be looking at quite the Christmas present.

Yes, by all accounts, The Grinch is looking at a minimum $50m opening weekend, with that number potentially ballooning as the weeks roll on and the film’s marketing pushes deeper into the public consciousness.

It’s worth bearing in mind that the franchise (and character) has proven itself before to have both presence and staying power; 2000’s live-action version, starring Jim Carrey in the title role, opened to $55 million and went on to score $260 million total, not adjusted for inflation.

The Grinch is due out in UK cinemas on the 9th November, rated PG.

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Venom Dominates The Domestic Box Office With $80M Opening

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In spite of the overwhelming cascade of negative press and critical reviews, Venom still destroyed its opening weekend, with a domestic total debut of $80 million.

Sony’s MCU-adjacent flick (supposedly the first in a line of dark and gritty Spidey-less films centred on the popular Spider-Man characters the studio still has the rights to) trounced Bradley Cooper and Lady Gaga’s A Star is Born, which brought in a still-impressive $42.6 million.Venom also crushed the record for an October release by 43%, beating Gravity’s 2013 record of $55.8 million.

Internationally Venom drew a further $125 million, for a worldwide total of $205 million.

Sony are reportedly thrilled at the takings, successfully piggybacking off of the Marvel brand to deliver a genuine box office success before any potential poor word-of-mouth gets around. The flick was a modestly-budgeted project, especially for a superhero film, and has already doubled its $100 million price tag.

Meanwhile, A Star is Born is expected to have greater legs, as positive buzz (and rumblings of Oscar nominations) carry the feature into the coming weeks. Competition will be fierce though, as the 12th of October will see the similarly positioned Bad Times at the El Royale and First Man releasing, along with animated family feature Smallfoot and neon-soaked Nicolas Cage horror Mandy.

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The House With a Clock in Its Walls Tops Box Office, Fahrenheit 11/9 Lands With A Thud

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Eli Roth’s family fantasy adaptation of classic children’s novel The House With a Clock in Its Walls, which stars Cate Blanchett and Jack Black, has debuted at the top of the domestic box office – surpassing expectations with a very respectable $26.8 million opening weekend.

The House With a Clock in Its Walls is now Roth’s highest-ever opening, beating the previous record of his grisly horror feature Hostel, which opened to $19 million back in 2005. The flick beat out other newcomer Fahrenheit 11/9, Michael Moore’s latest scathing documentary on the Trump administration, which only managed a paltry $3.1 million. The film is the latest in a line of diminishing returns for Moore’s work.

Internationally, Conjuring-spinoff The Nun still held the gold medal at the box office with an impressive $35 million weekly taking, bringing its total earnings to $292.6 million worldwide.

This week’s features should have a pretty comfortable run over the next nine days to continue earning as the Summer movie season officially draws to a close, and studios shift to their Autumn slates. October 3rd will see the next big competition of the year, as Bradley Cooper and Lady Gaga’s A Star Is Born opens opposite Tom Hardy’s super-antihero Venom.

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