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Live-Action Mega Man Film On The Way

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Apparently, videogame development studio Capcom didn’t get the memo about the general track record for videogame movies, and has announced an adaptation of their long-running series Mega Man.

Way back in July, rumours began to float that directors Henry Joost and Ariel Schulman (Catfish) had been in talks with the company to pen a screenplay for the feature, and to eventually helm the project (which will allegedly be distributed by 20th Century Fox).

Plot details are being kept tightly under wraps, though Capcom has now gone on record saying that the film is hoping to capture a “diverse audience”, and to appeal to the general cinema-going public as well as die-hard fans. Mega Man will supposedly keep the “world” of the games, but redesigned with the production values and modern aesthetic of contemporary Hollywood films.

The plot of the series has been rebooted several times over, but usually follows the titular blue bomber, a young boy robot with a cannon for an arm, who was designed by the brilliant and philanthropic genius Dr. Light to combat the many colourful and varied evil robots of Dr. Wily. Each of the series’ signature villains usually act as boss battles at the end of brutally hard platforming stages. Mega Man can then absorb the powers of his fallen foes, changing his costume and weapons, to help upgrade him against other villains.

The film is part of a multi-platform push by Capcom to increase the “brand value” of their most successful and longest-running property – indeed, the franchise has been running since 1987, and the games have sold over 30 million copies worldwide. There is presently an animated series airing on Cartoon Network called Mega Man: Fully Charged, and the latest game in the series – Mega Man 11 – released just a few days ago on PlayStation 4, Xbox One, Nintendo Switch, and PC.

Mega Man (the film) is currently lacking a release date.

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Ana de Armas Joins Daniel Craig In Rian Johnson’s Knives Out

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Ana de Armas (Blade Runner 2049) has officially signed on to join actors Daniel Craig, Chris Evans, and Michael Shannon in Star Wars: The Last Jedi director Rian Johnson’s Knives Out.

The film, which Johnson also wrote, is scheduled to start shooting next month. Knives Out has been described as a contemporary whodunit, with Craig portraying an archetypal grizzled detective, tasked with getting to the bottom of a classic locked-room murder mystery.

Johnson is set to produce with his creative partner Ram Bergman, and studios are expected to bid fiercely for the rights to distribute the feature in the coming months. Craig was previously pencilled in to begin shooting Bond 25 for director Danny Boyle at the tail end of this year, but when Boyle departed that project following creative differences it freed up the Casino Royale actor’s schedule to join Knives Out.

Somewhat ironically, Ana de Armas can next be seen in an untitled project from Danny Boyle, which is likely to release prior to Johnson’s crime thriller.

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The Grinch Eyeing $50m+ Opening Weekend

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Illumination Animation’s forthcoming The Grinch, with Benedict Cumberbatch voicing the green grouch, has landed on early tracking – and Universal could be looking at quite the Christmas present.

Yes, by all accounts, The Grinch is looking at a minimum $50m opening weekend, with that number potentially ballooning as the weeks roll on and the film’s marketing pushes deeper into the public consciousness.

It’s worth bearing in mind that the franchise (and character) has proven itself before to have both presence and staying power; 2000’s live-action version, starring Jim Carrey in the title role, opened to $55 million and went on to score $260 million total, not adjusted for inflation.

The Grinch is due out in UK cinemas on the 9th November, rated PG.

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Venom Producer Gives Weak Excuse For Carnage Not Being The Film’s Villain

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When a Venom movie sans-wallcrawler was first announced, many assumed that the smart move would be pitting the black symbiote against well-known comic antagonist Carnage; a red palette-swap of the film’s titular antihero, inhabited by serial-killer Cletus Kasady.

However, that turned out to not be the case. Sony still went with the age-old classic superhero movie villain formula (exactly like the hero, but, y’know, evil – see also; Iron Man, The Incredible Hulk, Ant-Man, Doctor Strange, Black Panther, etc etc.) but eschewed the better-known Carnage for, of all characters, Riot – a silver-coloured symbiote inhabited by Carlton Drake, head of the LIFE Foundation, and birthed from an oft-forgotten 90s comic book arc.

When asked the reasoning behind the decision to scrape through the bottom of the Marvel barrel and to drudge up a Z-lister like Riot for their initial, flagship Spidey-cinematic-universe-minus-Spidey feature, producer Matt Tolmach gave an almost unbelievably pathetic excuse:

“[If you have Carnage] you have two origins, and it really limits. We thought about it long and hard. It limits what you can do with the origin of Venom. So, what do you do with that? Well, then the movie itself becomes the origin of Venom, and then Carnage enters the equation. That was always the idea, that you would be setting it up, from the very beginning.”

Now, putting aside that the movie gives an origin to Riot as part of its structure, and the fact that the movie’s post-credits scene gives a pretty complete set-up for Cletus Kasady (portrayed by Woody Harrelson, donning an incredibly cheap-looking ginger wig), it’s still a staggeringly weak reason. Complaining that a villain also needs setting up – something that most superhero origin films manage to pull off quite neatly – smacks of an almost impressive level of laziness. Granted, once you’ve done ‘Venom vs. Carnage’, there’s not a tremendous amount of places left to take a webslinger-less Venom franchise, but it’s still going to feel deliriously samey when/if Venom 2 rolls around.

Venom stars Tom Hardy and is in cinemas now, rated 12A.

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