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Jeremy Renner Joins Jamie Foxx For ‘Spawn’

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Jeremy Renner has been set to star alongside Jamie Foxx in Spawn, the Blumhouse film that marks the directorial debut of Todd McFarlane from his scripted adaptation of his comic book creation. In late May, Foxx was set to play the title character, who started out in the comics as Al Simmons, a member of a CIA black ops team who is twice betrayed: after being set up by his cohorts to be murdered with his corpse set aflame, Simmons is then double crossed in Hell. He is convinced to become a Hellspawn warrior in exchange for being able to be reunited with his wife, only to find himself stuck in his demonic creature shell, and that his wife moved on and married his best friend. Spawn turns his rage on street scum and revenge. He realized long ago that he can’t battle the constant evil permeating the globe alone, and must enlist the aid of humans to help him fight the war. Detective ‘Twitch’ Williams has the intelligence and intuition that Spawn needs most. This unconventional detective is near fearless and compliments Spawn’s demonic powers, and it is that combination that will help Spawn win his war.

“As a first time director, I wanted to surround myself with the most talent and the most skilled people I can on all fronts,” McFarlane told Deadline. “I was lucky enough to land Jason Blum and then Jamie Foxx, and I knew the person on screen the most is this police officer, Twitch Williams. We needed as strong a person as possible because he will be the face of the film. I took my naïve Hollywood approach again, and said let’s start at the top and work down. Jeremy was at the top. I’m a huge fan of his. The character doesn’t need to be a bodybuilder or GQ handsome. I was looking for somebody who’s a person you’ve met before; I needed someone who can pull off the grief of an average human being. I’ve seen Jeremy do that in more than a few of his movies. He was at the top of my list, just like Jamie.”

While Renner’s biggest grossing films are those he has made at Marvel as Hawkeye, McFarlane doesn’t go see those movies. “Spawn is King Arthur and Twitch is Sir Lancelot, and this isn’t about physicality, or jumping over buildings,” he said. “This is more a brawn and brain combination, and the first film I think of with him is The Hurt Locker, the army grunt doing the job, and that spilled out into all these roles leading up to Wind River. There was a sense of melancholy to that character that is important and that was a movie also made by a first time director, but one who wrote the thing and so wasn’t nervous about trying to get what you want. Jeremy had the experience of working with the first timer and saw that if you put a good crew together, the whole is way better than the parts and you don’t have to worry.”

Said Jason Blum: “Jeremy is the ideal choice for Twitch Williams. He radiates honesty, intelligence and a hard-working, everyman charisma, the same qualities that make Twitch such a compelling character.”

 

Source: Deadline

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Guillermo del Toro to Direct Stop Motion Pinocchio for Netflix

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Pinocchio Movie Marker

Fresh off his Oscar win for “The Shape of Water,” Guillermo del Toro is set to make his animated feature film directing debut. Del Toro has received the green light from Netflix to film “Pinocchio,” a stop motion musical version of the classic children’s tale about a puppet who wants to be a real live boy. He will write and produce the film in addition to directing it.

According to Variety, The film will be set in Italy during the 1930’s, a particularly fraught historical moment and a time when fascism was on the rise and Benito Mussolini was consolidating control of the country. Production on “Pinocchio” will begin this fall. Del Toro previously set “The Devil’s Backbone” and “Pan’s Labyrinth” against a totalitarian backdrop, although he placed those stories in Franco’s Spain.

“No art form has influenced my life and my work more than animation and no single character in history has had as deep of a personal connection to me as Pinocchio,” said del Toro in a statement. “In our story, Pinocchio is an innocent soul with an uncaring father who gets lost in a world he cannot comprehend. He embarks on an extraordinary journey that leaves him with a deep understanding of his father and the real world. I’ve wanted to make this movie for as long as I can remember.”

Del Toro previously collaborated with Netflix on its Emmy award-winning television series “Trollhunters,” the first installment of the DreamWorks’ Tales of Arcadia trilogy. The next chapter, “3Below,” is set to debut on in December and it will be followed by “Wizards” in 2019. He created the upcoming Netflix horror anthology series, “Guillermo del Toro Presents 10 After Midnight.” Del Toro’s other credits include “Crimson Peak” and “Pan’s Labyrinth.”

The project comes as Netflix is investing heavily in children’s entertainment — a move that will be increasingly important as Disney prepares to launch its own streaming service. To that end, the company has backed the likes of “Lemony Snicket’s A Series of Unfortunate Events,” along with upcoming series such as “She-Ra and the Princesses of Power” and “Gabby’s Dollhouse.”

Del Toro will collaborate on “Pinocchio” with the Jim Henson Company, the company behind “The Dark Crystal” and ShadowMachine, the creator of “Bojack Horseman.” Lisa Henson, ShadowMachine’s Alex Bulkley, Corey Campodonico, and Gary Ungar of Exile Entertainment will produce the film. Blanca Lista will co-produce it.

Patrick McHale (“Over The Garden Wall”) will co-write the script, and Mark Gustafson (“Fantastic Mr. Fox”) will co-direct the movie. Guy Davis will serve as co-production designer and the film’s puppets will be built by Mackinnon and Saunders, the team behind “Corpse Bride.”

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Aquaman Director Teases Two Of The Film’s Creatures, And Gosh They Look Silly

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So, Aquaman is a film that’s coming out. It feels like, as a culture, the general cinema-going public still hasn’t quite acclimated to the idea that an Aquaman film is just two months away. Like, y’know, a film about Aquaman. Aquaman.

One person looking to change that general perception is director James Wan, who shared new glimpses at some of the film’s mounted ocean creatures and… oh good lord, just look at them.


Click through to get an even-higher resolution look at what’s to come, but as you can see there’s a saddle-mounted hammerhead shark, and a tylosaurus (a sort-of prehistoric crocodile). Yeah.

Aquaman is due out on the 14th of December, rated 12A, and stars Jason Momoa as the titular rightful ruler of Atlantis. As the film’s PR campaign ramps up, WB released a five-minute extended trailer just a few weeks ago, which you can check out here.

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Halloween Scores Series-Best Opening, As Venom Crosses $450m Worldwide

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Jamie Lee Curtis’ rebootquel Halloween scored a domestic opening of $77.5 million this weekend, after an impressive $27.2M Saturday. Not only does that easily make it the best US opening for John Carpenter’s four-decade old franchise, but it also solidifies it as the second-best opening ever for the month of October behind Sony’s Venom, which netted $80.2M just a few weeks ago.

Speaking of Venom, the critically-derided, audience-adored antihero flick starring Tom Hardy took another $18 million in the US this week, and a further $32 million internationally, taking the film’s global total to a staggering $460.2 million – for perspective, that’s bottom-end MCU money, beating out titles like Thor ($449.3m), Captain America: The First Avenger ($370.6m) and The Incredible Hulk ($263.4m), and gaining on films like Ant-Man ($519.3m) and the original Iron Man ($585.2m). Venom is still yet to open in China and Japan.

Meanwhile, Warner Bros.’ smash-hit musical drama A Star Is Born is still raking in the dough. Star/director Bradley Cooper’s feature, which has garnered a big push in ticket sales from the successful stunt-casting of Lady Gaga as the secondary lead, brought its tally up to $201 million internationally this week, and looks set to continue hanging on at the box office despite fierce October competition.

All three films are in UK cinemas now, with Venom and A Star Is Born both rated 15, and Halloween rather expectedly rated 18.

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