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Jack Black Calls Trump A “Piece Of Sh*t” As He Accepts His Walk Of Fame Star

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School of Rock star and human-cannonball-of-energy Jack Black accepted a star on the Hollywood walk of fame in a lavish public ceremony yesterday, and couldn’t resist a cheeky dig at the President whilst he was at it.

In his acceptance speech to the crowd, Jack mused appreciatively on the honour, saying “I’ve wanted one of these things for so long. Since I was a kid I thought ‘Oh man, if you get one of those stars on the sidewalk that means you’ve made it’. And I feel like I’ve finally grasped that sweet brass ring. In the immortal words of Axl Rose; ‘Where do we go now?'”

Black then continued to sing a few bars from Guns ‘N Roses’ 1987 hit Sweet Child O’ Mine in the raspy, hard-rocking affectation he’s famous for, before laughing and asking the crowd “I’ve got the thing! Why continue? I made it!”

The jovial comedic actor and Tenacious D musician assured those gathered that he’d return for a sequel to last year’s Jumanji: Welcome to the Jungle, and one final entry in the popular Kung Fu Panda franchise, but noted that “It’s time to pass the torch to the Uzi Verts and Lil Peeps and… the Tommy and Sammy Blacks of the world,” he smiled, looking off to his two sons.

“Unless something really cool comes around … I love you all so much. Except for Donald Trump’s a piece of shit! Peace out, love you!”

Jack Black can next be seen in Eli Roth’s The House With A Clock In Its Walls, which releases into UK cinemas this Friday, rated 12A.

Casting News

Ana de Armas Joins Daniel Craig In Rian Johnson’s Knives Out

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Ana de Armas (Blade Runner 2049) has officially signed on to join actors Daniel Craig, Chris Evans, and Michael Shannon in Star Wars: The Last Jedi director Rian Johnson’s Knives Out.

The film, which Johnson also wrote, is scheduled to start shooting next month. Knives Out has been described as a contemporary whodunit, with Craig portraying an archetypal grizzled detective, tasked with getting to the bottom of a classic locked-room murder mystery.

Johnson is set to produce with his creative partner Ram Bergman, and studios are expected to bid fiercely for the rights to distribute the feature in the coming months. Craig was previously pencilled in to begin shooting Bond 25 for director Danny Boyle at the tail end of this year, but when Boyle departed that project following creative differences it freed up the Casino Royale actor’s schedule to join Knives Out.

Somewhat ironically, Ana de Armas can next be seen in an untitled project from Danny Boyle, which is likely to release prior to Johnson’s crime thriller.

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Box Office News

The Grinch Eyeing $50m+ Opening Weekend

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Illumination Animation’s forthcoming The Grinch, with Benedict Cumberbatch voicing the green grouch, has landed on early tracking – and Universal could be looking at quite the Christmas present.

Yes, by all accounts, The Grinch is looking at a minimum $50m opening weekend, with that number potentially ballooning as the weeks roll on and the film’s marketing pushes deeper into the public consciousness.

It’s worth bearing in mind that the franchise (and character) has proven itself before to have both presence and staying power; 2000’s live-action version, starring Jim Carrey in the title role, opened to $55 million and went on to score $260 million total, not adjusted for inflation.

The Grinch is due out in UK cinemas on the 9th November, rated PG.

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Venom Producer Gives Weak Excuse For Carnage Not Being The Film’s Villain

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When a Venom movie sans-wallcrawler was first announced, many assumed that the smart move would be pitting the black symbiote against well-known comic antagonist Carnage; a red palette-swap of the film’s titular antihero, inhabited by serial-killer Cletus Kasady.

However, that turned out to not be the case. Sony still went with the age-old classic superhero movie villain formula (exactly like the hero, but, y’know, evil – see also; Iron Man, The Incredible Hulk, Ant-Man, Doctor Strange, Black Panther, etc etc.) but eschewed the better-known Carnage for, of all characters, Riot – a silver-coloured symbiote inhabited by Carlton Drake, head of the LIFE Foundation, and birthed from an oft-forgotten 90s comic book arc.

When asked the reasoning behind the decision to scrape through the bottom of the Marvel barrel and to drudge up a Z-lister like Riot for their initial, flagship Spidey-cinematic-universe-minus-Spidey feature, producer Matt Tolmach gave an almost unbelievably pathetic excuse:

“[If you have Carnage] you have two origins, and it really limits. We thought about it long and hard. It limits what you can do with the origin of Venom. So, what do you do with that? Well, then the movie itself becomes the origin of Venom, and then Carnage enters the equation. That was always the idea, that you would be setting it up, from the very beginning.”

Now, putting aside that the movie gives an origin to Riot as part of its structure, and the fact that the movie’s post-credits scene gives a pretty complete set-up for Cletus Kasady (portrayed by Woody Harrelson, donning an incredibly cheap-looking ginger wig), it’s still a staggeringly weak reason. Complaining that a villain also needs setting up – something that most superhero origin films manage to pull off quite neatly – smacks of an almost impressive level of laziness. Granted, once you’ve done ‘Venom vs. Carnage’, there’s not a tremendous amount of places left to take a webslinger-less Venom franchise, but it’s still going to feel deliriously samey when/if Venom 2 rolls around.

Venom stars Tom Hardy and is in cinemas now, rated 12A.

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