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Awards

2018 Academy Awards Live Updates #Oscars

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Find The List Of Nominations Here

BEST PICTURE:  THE SHAPE OF WATER

BEST ACTRESS: FRANCES MCDORMAND (THREE BILLBOARDS OUTSIDE EBBING, MISSOURI)

BEST ACTOR: GARY OLDMAN (DARKEST HOUR)

BEST DIRECTOR: GUILLERMO DEL TORO (THE SHAPE OF WATER)

BEST ORIGINAL SCORE: THE SHAPE OF WATER

BEST CINEMATOGRAPHY: BLADE RUNNER 2049

BEST ADAPTED SCREENPLAY: CALL ME BY YOUR NAME

BEST ORIGINAL SCREENPLAY: GET OUT

BEST LIVE ACTION SHORT: THE SILENT CHILD

BEST EDITING: DUNKIRK

BEST VISUAL EFFECTS: BLADE RUNNER 2049

BEST ANIMATED FEATURE FILM: COCO

BEST ANIMATED SHORT FILM: DEAR BASKETBALL

BEST SUPPORTING ACTRESS: ALLISON JANNEY (I, TONYA)

BEST FOREIGN LANGUAGE FILM: A FANTASTIC WOMAN

0216: The performance of ‘Remember Me’ from ‘Coco’ was… interesting

PRODUCTION DESIGN: THE SHAPE OF WATER

0200: Jimmy asking Spielberg for pot…

SOUND EDITING: DUNKIRK

SOUND MIXING: DUNKIRK

DOCUMENTARY: ICARUS

0136: Best Documentary up next, presented by Best Director nominee Greta Gerwig and Laura Dern

COSTUME DESIGN: PHANTOM THREAD

HAIR AND MAKE-UP: DARKEST HOUR

0125: Next Up is Gal Gadot and Arnie Hammer for Hair and Make Up

0122: Sam Rockwell sets a time of 1minute29seconds for that Jet Ski

0115: First award of the night is for Best Supporting Actor…

BEST SUPPORTING ACTOR: SAM ROCKWELL (THREE BILLBOARDS OUTSIDE EBBING, MISSOURI)

0112: Jimmy encouraging the winners to make the night’s shortest speech and offering them a Jet-Ski as a prize

0110: ‘The longest Meryl Streep went without a nomination was from 1992 to 1995 and that was only because she was in prison’

0108: ‘We don’t make films like ‘Call Me By Your Name’ to make money, we make them to upset Mike Pence’

0100: And we’re off! Are you ready for the 90th Academy Awards?

 

2040(GMT): We’ll be live tweeting @MovieMarker from the red carpet at midnight (GMT) along with coverage of the ceremony itself from 1am (GMT)

Number of Nominations

The Shape of Water: 13

Dunkirk: 8

Three Billboards Outside Ebbing, Missouri: 7

Blade Runner 2049: 5

Lady Bird: 5

Best Picture

Call Me By Your Name
Darkest Hour
Dunkirk
Get Out
Lady Bird
Phantom Thread
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Best Director

Christopher Nolan – Dunkirk
Jordan Peele – Get Out
Greta Gerwig – Lady Bird
Paul Thomas Anderson – Phantom Thread
Guillermo del Toro – The Shape of Water

Adapted Screenplay

Call Me By Your Name
The Disaster Artist
Logan
Molly’s Game
Mudbound

Best Actress in a Leading Role

Sally Hawkins – The Shape of Water
Frances McDormand – Three Billboards Outside Ebbing, Missouri
Margot Robbie – I, Tonya
Saoirse Ronan – Lady Bird
Meryl Streep – The Post

Meryl Streep’s nomination is her 21st overall and her 17th in this category

Best Actor in a Leading Role

Timothée Chalamet – Call Me by Your Name
Daniel Day-Lewis – Phantom Thread
Daniel Kaluuya – Get Out
Gary Oldman – Darkest Hour
Denzel Washington – Roman J. Israel, Esq

Best Original Screenplay

The Big Sick
Get Out
Lady Bird
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Original Song

Remember Me (from Coco)
Mystery of Love (from Call Me By Your Name)
This Is Me (from The Greatest Showman)
Mighty River (from Mudbound)
Stand Up For Something (from Marshall)

Best Documentary Short

Edith & Eddie
Heaven is a Traffic Jam
Heroin(e)
Knifeskills
Traffic Stop

1342: Christopher Plummer there, who of course didn’t even know he was going to be in All The Money In The World only a couple of months ago (reshot Kevin Spacey’s character’s scenes)

Best Documentary Feature

Faces Places
Icarus
Last Men in Aleppo
Strong Island

Best Supporting Actress
Mary J. Blige – Mudbound
Allison Janney – I, Tonya
Leslie Manville – Phantom Thread
Laurie Metcalf – Lady Bird
Octavia Spencer – The Shape of Water
Best Supporting Actor

Willem Dafoe – The Florida Project
Woody Harrelson – Three Billboards Outside Ebbing, Missouri
Richard Jenkins – The Shape of Water
Christopher Plummer – All the Money in the World
Sam Rockwell – Three Billboards Outside Ebbing, Missouri

Best Foreign Language Film

A Fantastic Woman (Chile)
On Body and Soul (Hungary)
The Insult  (Lebanon)
Loveless  (Russia)
The Square (Sweden)

1339: Mudbound’s Cinematography nomination marks the first ever female nominee in that category for Rachel Morrison

Best Animated Short Film

Dear Basketball
Garden Party
Lou
Negative Space
Revolting Rhymes

Film Editing

Baby Driver
Dunkirk
I, Tonya
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Makeup and Hairstyling

Darkest Hour
Victoria and Abdul
Wonder

Best Production Design

Beauty and the Beast
Blade Runner 2049
Darkest Hour
Dunkirk
The Shape of Water

Costume Design

Beauty and the Beast
Darkest Hour
Phantom Thread
The Shape of Water
Victoria and Abdul

Best Live-Action Short

Dekalb Elementary
The 11 O’Clock
My Nephew Emmett
The Silent Child
All Of Us

Original Score

Dunkirk
Phantom Thread
The Shape of Water
Star Wars: The Last Jedi
Three Billboards Outside Ebbing, Missouri

Sound Mixing

Baby Driver
Blade Runner 2049
Dunkirk
The Shape of Water
Star Wars: The Last Jedi

Sound Editing

Baby Driver
Blade Runner 2049
Dunkirk
The Shape of Water
Star Wars: The Last Jedi

Costume Design

Beauty and the Beast
Darkest Hour
Phantom Thread
The Shape of Water
Victoria and Abdul

Cinematography

Blade Runner 2049
Darkest Hour
Dunkirk
Mudbound
The Shape of Water

1326: There’s Gal Gadot, drinking tea…

1323: While we wait, check out this great photo of grace Kelly and Audrey Hepburn behind the scenes in 1956

1322: We are underway, though timings are probably going to be off as they always are with these things…

1321: Roger Deakins could get his 14th nomination for Blade Runner 2049, so far 13 and 0 wins! Is there anyone more overdue a win?

1317: Gary Oldman is tipped to pick up his first Leading Actor win for his portrayal of Winston Churchill in ‘The Darkest Hour’

1313: Just under ten minutes until the nominations begin, let us know what you’re rooting for over on twitter @MovieMarker

1307: Three Billboards Outside of Ebbing, Missouri is another film expected to receive a number of nominations, with an Actress In A Leading Role nod expected for Frances McDormand and potentially Best Director and Supporting Actor noms for Martin McDonagh and Sam Rockwell respectively.

1305: The Shape Of Water is fancied by many to lead the nominations, it could yet equal the record of 14 nominations set by Titanic, All About Eve and La La Land – Read our five-star review of Guillermo Del Toro’s latest.

1300 (GMT) Tiffany Haddish and Andy Serkis will host the nomination ceremony, along with special guests Gal Gadot, Salma Hayek, Rosario Dawson, Priyanka Chopra, Michelle Rodriguez, Zoe Saldana, Molly Shannon, Rebel Wilson, and Michelle Yeoh, from the Academy’s Samuel Goldwyn Theater in Los Angeles.

The nominations will begin with the categories cinematography, costume design, film editing, makeup and hairstyling, original score, production design, animated short film, live action short film, sound editing, sound mixing, and visual effects.

The nominees will then be announced for actor in a leading role, actor in a supporting role, actress in a leading role, actress in a supporting role, animated feature film, directing, documentary feature, documentary short subject, foreign language film, original song, best picture, adapted screenplay, and original screenplay. This second half of the presentation will be aired live on ABC’s “Good Morning America.”

 

Editor-in-Chief of Movie Marker. Likes: Scorsese, Spielberg and Tarantino Dislikes: The film 'Open Water' I mean, what was that all about?

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Awards News

Black Panther Aiming For Best Picture, Not Best Popular, According To Chadwick Boseman

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It’s Hollywood’s worst-kept secret; Marvel Studios’ chief Kevin Feige wants an Oscar. And not just a technical Oscar either. Following in the footsteps of Walt Disney, Feige’s ultimate goal is for one of his movies to win Best Picture. With Black Panther being a cultural juggernaut, the producer-extraordinaire sees it as his best chance yet and has reportedly hired veteran award strategist Cynthia Schwartz’s company – Strategy PR – to push for the nomination.

However, The Academy themselves threw a spanner in the works last month, when they announced the introduction of a brand new category at next year’s awards ceremony: Best Achievement in Popular Film. With Black Panther presently the highest-grossing film of the year domestically, and the second-highest internationally, it’s the clear favourite to win in the new category (at least, to the best of everyone’s knowledge – The Academy have, frustratingly, refused to define the new award). However according to King T’Challa himself, Black Panther actor Chadwick Boseman, that’s not the goal.

“We don’t know what [Best Popular] is, so I don’t know whether to be happy about it or not,” Boseman told The Hollywood Reporter, “What I can say is that there’s no campaign for Popular Film; like, if there’s a campaign, it’s for Best Picture, and that’s all there is to it.”

“A good movie is a good movie,” the Get On Up star continued, “and clearly it doesn’t matter how much money a movie makes in order for it to be ‘a good movie’ because if [it did], the movies that get nominated and win [predominantly low-grossing, highly-praised art-house fare] wouldn’t get nominated; and if it doesn’t matter, it doesn’t matter on both sides. For my money, the only thing that matters is the level of difficulty.”

“What we did was very difficult. We created a world, we created a culture … we had to create a religion, a spirituality, a politics; we had to create an accent; we had to pull from different cultures to create clothing styles and hair styles. It’s very much like a period piece. … So, as far as that’s concerned, I dare any movie to try to compare to the difficulty of this one. And the fact that so many people liked it — if you just say it’s [only] popular, that’s elitist.”

Chadwick has a point – the gross of a film has never, and should not, affect a film’s chances at winning Best Picture. However, whilst The Academy has made clear that a film can be nominated for both Best Film and Best Popular (frustrating many members who have then rightfully asked what the point is), they have somewhat written themselves into a corner when it comes to Black Panther. See, through a very specific sequence of events, The Academy have manufactured a situation where the most likely events to play out on the night will be Damien Chazelle’s buzzy First Man, a movie with an all-white cast and crew, winning Best Picture… whilst the all-black cast and crew of Black Panther accept the new ‘separate but equal’ award for Best Achievement in Popular Film. Yikes.

Black Panther is available on Digital, DVD, Blu-Ray and 4K now, and is rated 12A.

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Awards News

Danny DeVito To Receive Lifetime Achievement Award At The San Sebastian Film Festival

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Batman Returns star Danny DeVito is set to receive the coveted Donostia Award, honouring him for his career achievements, at the sixty-sixth annual San Sebastian Film Festival this September.

“The award recognizes a career of almost five decades related to acting in theatre, film and television, telling stories as an actor, producer and director,” the Spanish festival’s organisers said in a statement, “The Golden Globe and Emmy Award winner is known for his roles in television series Taxi and It’s Always Sunny in Philadelphia, and movies such as One Flew Over The Cuckoo’s Nest, Terms of Endearment, Romancing The Stone, Twins, Ruthless People, and Tin Men.”

“He has also directed – and starred in – hugely emblematic films, including The War of the Roses (1989), Hoffa (1992), Death to Smoochy (2002), Throw Momma From the Train (1987), Curmudgeons (2016), Duplex (2003), The Ratings Game (1984), and The World’s Greatest Lover (1977).”

The San Sebastian Film Festival will run from the 21st to the 29th of September. Danny DeVito can next be heard in animated children’s flick Smallfoot, which will premiere on the 23rd at the Festival.

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Oscars 2018

THE BURDEN OF OSCAR: POLITICS AND FILM.

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2017 was not overly kind to Hollywood. A drop in cinema audiences. Dismal summer box office. Increasing competition from the rise of Netflix and compelling television shows. Decreasing ratings for movie awards shows. Justice League.
And please, nobody even mention Harvey Weinstein or Kevin Spacey.

In short it all went a bit Pete Tong for La La Land last year.
In fact the La La Land /Moonlight mix up at the Oscars in February now seems a rare bright spot in the 2017 tinsel town calendar. Reading out the wrong best picture winner? Light relief! Oh, how we can laugh now at a ‘wrong envelope mishap’ in the wake of #metoo and #sheknew

So, where and when did the rot start?
I’d suggest November 2016. On 8th November to be precise. Hollywood was tux and gown ready to celebrate the presidential victory of the woman whose campaign many A listers had funded to the tune of millions. However, 60 million Americans had a different plan. Enter the Donald!
The rest is outrage history.

Hollywood has since used Twitter, late night chat shows the press and most of all, awards shows to bash Trump……….and by association the 60 million who voted for him. 60 million potential movie fans.

Some love the political content of awards shows. Some are infuriated by it. But for many the politics has just got old really quickly. All they want from their movie and tv stars is entertainment. Yet the one industry that has the power to bring polarised communities together isn’t managing it. Nor does the entertainment media help.

The dumbest question on the movie red carpet in 2017 was one that was repeated the most, earnestly each time as if it was something unbelievably profound: what do you think will Trump voters make of your film?
Alexander Payne when asked it at the Venice film festival was one of the few who refused to be baited. He said he hoped that he made films for everybody. Unfortunately for him, his film Downsizing didn’t exactly please everybody but at least he recognised that his role is as a filmmaker not political campaigner. Similarly, while other stars have lost fans due to their relentless political tirades, Frances McDormand has been gaining them by being funny, entertaining and making it clear that her politics are her private business. But Payne and McDormand are rare. Too many stars and filmmakers take the media bait or can’t resist lecturing the world on the cause du jour when it isn’t the time and place to do so.

That is the issue. There is a time and place to make earnest speeches, to berate, to demand change, to highlight injustice. The Oscars podium isn’t it.

I’ve been lucky enough to go to the Oscars. It was a terrific experience. It was everything I’d imagined the Oscars to be; glamorous, fun, starry and an escape from the norm. The dresses were colourful and gorgeous. The jokes were funny. Everyone was out to party!
Was it frivolous, unreal and superficial. Yep. And it was all the more wonderful for that because I’d come to the event from conducting a 15 day case in the High court about a paedophile ring. So I know about the real world, thank you. And so do the millions who watch the Oscars on television around the world. The Oscars is their escape from the real world, as it was mine.

Yes, the Oscars has always been political to a degree; Marlon Brando sending a Native American woman to collect his Oscar for The Godfather, Michael Moore leading the charge against President Bush and the Iraq war, Tim Robbins and Susan Sarandon highlighting Haiti and many more issues. But those were moments in a lengthy ceremony. The rest of the show remained light and fun. The atmosphere overall wasn’t somber, even funereal. In the last 3-4 years the politics has completely overshadowed the films and the film stars.

The Oscars now seems to be first about race, sexuality, political affiliation, hashtag movements with the actual work second.

The #oscarssowhite in 2016 campaign was the first year that I can remember when a cause dominated the coverage, pushing the films and actors in contention for the awards out of the limelight. But it has continued. Last year the subject was President Trump. This year it’s #metoo and #TimesUp.
Around Oscar time I get asked 3 main questions: which of the nominated films do I recommend? Who do I think will win? Who had the best dress?

The first suggests that being nominated/winning really does help a film’s box office. And since the Oscars is essentially an industry event at which the film business shows off its wares, that’s a good thing. The second shows that humans are a competitive lot at heart. It’s why we love sport. No one truly likes ‘participation prizes’. We want there to be a ‘best’ so we can endlessly argue about it for evermore afterwards.
And yes, the third question is every bit as legitimate as the first two. Hollywood is the epitome of glamour. Fashion is big business that employs many people. The Oscars brings the two together on a world stage. And yes, women get asked about their dresses because it’s what many people tune in to see. The men’s tuxedos are the same each year. They aren’t the draw.
Funnily, the questions that don’t crop up are ‘what does Chris Hemsworth think about Brexit’ or ‘ What are Rebel Wilson’s views on the fiscal crisis’.
Maybe, just maybe, people don’t really care.

As I write this, some media outlets are reporting that Jennifer Lawrence and Jodie Foster will present the best actress award this year instead of Casey Affleck. He withdrew recently from the tradition of the previous best actor winner presenting the new best actress winner with her gong, most likely, because he didn’t want or need the media coverage that would have dogged him in respect of allegations of sexual misconduct which were subject to an agreement between him and two women. None of the trio are legally allowed to speak publicly about the agreement. No one outside their respective close circles and legal advisers knows what the terms of the agreement were. Affleck could have agreed terms because he’s guilty as hell and didn’t want a court trial to prove it. The women could have been lying through their teeth and didn’t want a court trial to prove it.

Or, you know, the truth could lie somewhere in the middle. As it often does. Point is, we will never know.

That, of course didn’t stop hysterical speculation last year on social media of what Casey Affleck was ‘definitely, absolutely, 100% guilty of” – because – wait for it- he always plays creepy guys on screen! And it wouldn’t have stopped it this year, specially in the wake of #metoo. So Affleck stepped aside.

If it’s true that Lawrence and Foster will replace him, has the Academy really thought it through? What’s the message here:

That it takes two women to replace one man?

That there are no men left in Hollywood who can even safely present a woman with an award?

That only women can present an award to a woman because gender segregation is where we’re at in 2018??!!

See, this is what happens when you add politics to the mix. You may think you’re doing something right but it can come out all wrong.

On Oscar night on Sunday, armed police and security guards will protect stars who will go on stage and speak passionately against guns. Actresses who cheered and gave standing ovations to convicted child rapist Roman Polanski will now speak passionately against sexual predators. The list is endless of hypocrisies Hollywood can be called out for, so the wise thing to do might be to leave politics outside the door and, you know, entertain on the biggest night of the glamour industry.

However, I’m not betting on it.

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